Estimated reading time: 5 minutes
Have you ever wondered about the origins of synchronized group dancing in India called Pindibandha?
Imagine a whirlwind of coordinated movement, a captivating display of unity in motion. This is the essence of Pindibandha, a historical group dance form from India. Let’s explore its secrets, as documented in the Natyashastra.
What is Pindibandha? Origin of Pindis
Piṇḍībandha are formations in dance where multiple performers move together. These formations add depth and visual appeal to the performance, enhancing the overall aesthetic experience for the audience.
पिण्डी शृङ्खलिका चैव लताबन्धोऽथ भेद्यकः ।
पिण्डीबन्धस्तु पिण्डत्वाद्गुल्मः शृङ्खलिका भवेत् ॥ २८८॥
Piṇḍī śṛṅkhalikā caiva latābandho'tha bhedyakaḥ।
Piṇḍībandhastu piṇḍatvād gulmaḥ śṛṅkhalikā bhavet॥ 288॥
Meaning:
The verse elaborates on different formations used in artistic or performative contexts, emphasizing how specific formations derive their names and characteristics from their structural properties. पिण्डी (cluster formation), शृङ्खलिका (chain formation), लताबन्ध (creeper formation), भेद्यक (breakable formation)
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Types of Piṇḍībandha formations
Time needed: 5 minutes
- Piṇḍī (पिण्डी):
This is the most basic formation, resembling a lump or cluster of dancers. Dancers use this formation in the shortest Āsārita. Āsārita is a compositional unit or section of the dance with 17 kalas.
- Śṛṅkhalikā (शृङ्खलिका):
Dancers here hold hands to form a chain-like structure. This is used at the Layāntara. Layāntara indicates a transitional section or a change in tempo.
- Latābandha (लताबन्ध):
Dancers intertwine like a creeper vine. This is used in the middle Āsārita. (33 kalas)
- Bhedyaka (भेद्यक):
Some do not consider this as a Piṇḍībandha but rather look at it as a solo dance performance by individual dancers. This is used in the longest Āsārita. (65 kalas)
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Pindi Formations Linked to Gods and Goddesses
| God/Goddess | Piṇḍī Name | Meaning/Form |
| Śiva | Vṛṣa | Bull |
| Nandī | Paṭṭisī | |
| Caṇḍikā (Kālī) | Siṃhavāhinī | Lion-carrier |
| Viṣṇu | Tārkṣya | Snake |
| Svayambhu (Brahmā) | Padma | Lotus |
| Śakra (Indra) | Airāvatī | Elephant |
| Manmatha | Jhaṣā | |
| Kumāra (Kārtikeya) | Śikhī | Peacock |
| Śrī (Lakṣmī) | Ūlu | Owl |
| Jāhṇavī (Gaṅgā) | Dhārā | Stream |
| Yama | Pāśa | Noose |
| Varuṇa | Nadī | River |
| Dhanada (Kubera) | Yākṣī | |
| Bala (-rāma) | Hala | Plough |
| Bhogins (serpents) | Sarpa | Serpent |
| Ganeśvaras (lords of Gaṇas) | Dakṣayajñavimardinī | Destroyer of Daksha’s sacrifice |
| Śiva (Andhaka-killer) | Raudrī | Form of his trident |
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Frequently Asked Questions
Pindibandha refers to group formations in Indian dance where multiple performers move together. These formations add visual interest and depth to the performance, creating a more captivating experience for the audience.
The word “Pindibandha” comes from the Sanskrit words “pindi” meaning “cluster” and “bandha” meaning “bond” or “formation.”
There are four main types of Pindibandha formations described in the Natyashastra:
– Pindi (पिण्डी): A basic formation resembling a cluster of dancers.
– Śṛṅkhalikā (शृङ्खलिका): Dancers hold hands to form a chain-like structure.
– Latābandha (लताबन्ध): Dancers intertwine like a creeper vine.
– Bhedyaka (भेद्यक): Some consider this a solo performance within the larger dance.
The Natyashastra associates specific Pindibandha formations with different Hindu gods and goddesses. These associations may reflect the deity’s attributes or symbolism.
While Pindibandha formations may not be as widely used in contemporary Indian classical dance as they were historically, the concept of group choreography remains an important element in many classical dance styles.
Conclusion
Pindibandha, with its intriguing formations and rich symbolism, offers a glimpse into the captivating world of classical Indian dance.
We gain a deeper appreciation for the artistry and storytelling power embedded within this ancient art form by understanding these formations.
While the specific use of Pindibandha may have evolved over time, its legacy continues to inspire dancers and audiences alike.
About Natya-Shastra.in
At Natya-Shastra.in, our mission is to serve as a gateway to the illustrious world of the NāṭyaŚāstra, offering insights, resources, and a platform to delve deeper into the nuances of Indian performing arts. We aim to bring forth the richness of this ancient text, shedding light on the profound wisdom it holds and its everlasting influence on various artistic traditions.
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NatyaShastra Glossary: Head over to the Natyashastra Glossary page to know the meaning behind Sanskrit terms used in the articles.
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Knowledge Source & References: Inspired by ancient Natyashastra scriptures, open to interpretation.
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