Sringara (Śṛṅgāra) Rasa: Origins, Expressions, and Determinants

Sringara Rasa

Sringara Rasa is the most sensual and the primary rasa of the eight sentiments mentioned in Natyashastra. By now, we know that rasas are the fundamental emotions or flavors experienced in the arts, particularly in drama, literature, and music.

If you are new to Rasa, read this article dedicated to decoding what a Rasa is all about.

In this article, we will explore the origins, characteristics, and emotional states that define Sringara Rasa.

Sringara Rasa
Sringara Rasa

The Essence of Sringara (Śṛṅgāra) Rasa

Defining Sringara

Sringara or Śṛṅgāra, or the Erotic Rasa, arises from the Staibhāva of Rati (love). The emotion is of brightness and attractiveness. Anything pure, delightful, bright, or pleasing in the world is comparable to Śṛṅgāra.

Natyashastra Ch 6 - Shloka 46.1 Sringara
Natyashastra Ch 6 – Shloka 46.1 Sringara
"तत्र श‍ृङ्गारो नाम रतिस्थायिभावप्रभवः । उज्ज्वलवेषात्मकः"

"tatra śa‍्ṛṅgāro nāma ratisthāyibhāvaprabhavaḥ | ujjvalaveṣātmakaḥ"

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Traditional and Authoritative Origins of Sringara Rasa

He who is well-dressed is called Śṛṅgāravān (one who possesses Śṛṅgāra). Just as names in society arise from family and traditional practices, so too do the names of Rasas and Bhāvas in drama arise from their respective traditions and authoritative teachings.

Thus, this Rasa is established by tradition and characterized by attractiveness and brightness.

Natyashastra Ch 6 - Shloka 46.2 Sringara
Natyashastra Ch 6 – Shloka 46.2 Sringara
"एवमेष आचारसिद्धो हृद्योज्ज्वलवेषात्मकत्वाच्छृङ्गारो रसः"

"evameṣa ācārasiddho hṛdyojjvalaveṣātmakatvācchṛṅgāro rasaḥ"

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Śṛṅgāra is caused by the interaction of a man and a woman, and it is naturally found in the prime of youth.

It has two divisions:

  • Sambhoga (union)
  • Vipralambha (separation).
Natyashastra Ch 6 - Shloka 46.3 Sringara
Natyashastra Ch 6 – Shloka 46.3 Sringara
"स च स्त्रीपुरुषहेतुक उत्तमयुवप्रकृतिः"

"तस्य द्वे अधिष्ठाने सम्भोगो विप्रलम्भश्च"

"sa ca strīpuruṣahetuka uttamayuvaprakṛtiḥ"

"tasya dve adhiṣṭhāne sambhogo vipralambhaśca"

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Sambhoga Śṛṅgāra: The Joy of Union

Determinants (Vibhāvas) of Sambhoga Śṛṅgāra

Sambhoga Śṛṅgāra arises from determinants such as:

  • The season (ऋतु)
  • Garlands (मालामय)
  • Anointments
  • Ornaments
  • Presence of the beloved (प्रियसंवास)
  • Enjoyment in pleasant places (सुखकार स्थान)
  • Walks in gardens
  • Experiencing, hearing, seeing, playing, and other such activities
Natyashastra Ch 6 - Shloka 46.4 Sringara
Natyashastra Ch 6 – Shloka 46.4 Sringara
"तत्र सम्भोगस्तावत् ऋतुमाल्यानुलेपनालङ्कारेष्टजनविषयवरभवनोपभोगोपवन-गमनानुभवनश्रवणदर्शनक्रीडालीलादिभिर्विभावैरुत्पद्यते"

"tatra sambhogastāvat ṛtumālyānulepanālaṅkāreṣṭajanaviṣayavarabhavanopabhogopavana-gamanānubhavanaśravaṇadarśanakrīḍālīlādibhirvibhāvairutpadyate"

Expressions (Anubhāvas) of Sambhoga Śṛṅgāra

Its expression (Abhinaya) is through Anubhāvas such as:

  • Clever glances
  • Raised eyebrows (उत्क्षिप्त)
  • Side glances (सकटाक्ष)
  • Elegant and sweet gestures (ललित)
  • Words
Natyashastra Ch 6 - Shloka 46.5
Natyashastra Ch 6 – Shloka 46.5
"तस्य नयनचातुर्यभ्रूक्षेपकटाक्षसञ्चारललितमधुराङ्गहार-वाक्यादिभिरनुभावैरभिनयः प्रयोक्तव्यः"

"tasya nayanacāturyabhrūkṣepakaṭākṣasañcāralalitamadhurāṅgahāra-vākyādibhiranubhāvairabhinayaḥ prayoktavyaḥ"

Transitory States (Vyabhicāribhāvas) Excluded from Sambhoga

The transitory states that are not compatible with Sambhoga Śṛṅgāra include:

  • Lethargy (स्वापव्यसन)
  • Anger (क्रोध)
  • Disgust (बीभत्स)
Natyashastra Ch 6 - Shloka 46.6
Natyashastra Ch 6 – Shloka 46.6
"व्यभिचारिणश्चास्यालस्यौग्र्यजुगुप्सावर्ज्याः"

"vyabhicāriṇaścāsyālasyaugryajugupsāvarjyāḥ"

Vipralambha Sringara (Śṛṅgāra): The Sorrow of Separation

Vipralambha Śṛṅgāra is depicted through experiences such as:

  • Dejection (विषाद)
  • Languor (ग्लानि)
  • Suspicion (विप्रतिपत्ति)
  • Jealousy (मात्सर्य)
  • Fatigue (परिश्रान्ति)
  • Anxiety (चिन्ता)
  • Longing (अभिध्या)
  • Sleep
  • Dreaming (स्वप्नवस्था)
  • Waking
  • Illness
  • Insanity (उन्मद)
  • Intoxication (मद)
  • Epilepsy (भ्रामर)
  • Lethargy (स्वापव्यसन)
  • Death (मरण)
Natyashastra Ch 6 - Shloka 46.6
Natyashastra Ch 6 – Shloka 46.6
"विप्रलम्भकृतस्तु निर्वेदग्लानिशङ्कासूयाश्रमचिन्तौत्सुक्यनिद्रास्वप्नविबोधव्याध्युन्माद-मदापस्मारजाड्यमरणादिभिरनुभावैरभिनेतव्यः"

"vipralambhakṛtastu nirvedaglāniśaṅkāsūyāśramacintautsukyanidrāsvapnavibodhavyādhyunmāda-madāpasmārajāḍyamaraṇādibhiranubhāvairabhinetavyaḥ"

Sringara Integrates All Bhāvas

In this way, Sringara encompasses all Bhāvas (emotions), highlighting its integral role in drama.


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Frequently Asked Questions

1. What is Sringara Rasa?

Sringara Rasa is the Erotic Rasa, arising from the permanent mood of love (Rati). It is characterized by attractiveness, and brightness and is associated with union (Sambhoga) and separation (Vipralambha).

2. How is Karuna Rasa related to Sringara Rasa?

Karuna Rasa, which arises from suffering and loss, is integrated into Sringara Rasa through its expression in Vipralambha (separation), thus encompassing a wide range of emotional experiences.

Conclusion

A well-dressed man enjoys garlands and perfumes and is associated with a woman who is said to be experiencing Sringara. This Rasa, with its dual nature of union and separation, captures the essence of human emotional experience, emphasizing both joy and sorrow in the context of love and relationships.


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  • NatyaShastra Editorial is the research and writing team behind Natya-Shastra.in, India’s dedicated platform for studying Bharata Muni‘s ancient treatise on performing arts.

    The editorial work covers the full breadth of the Natyashastra: Dasarupakas, Rasa theory, Abhinaya, Karanas, Gati, Sanskrit prosody, and stagecraft. Every article is grounded in the primary Sanskrit text and written to make this knowledge accessible to dancers, scholars, theatre practitioners, and serious students of Indian classical arts.

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